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- I think ultimately It might be fantastic to provide customers independence of choice for the Doing work colour Place (if possible While using the way the DRTs are built). Awesome to acquire ACEScct as solution, but some may want to quality/work on their own indigenous digital camera space like AWG3/LogC3 or work with CGI only in ACEScg.
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I am considering the Azus check recommended in this thread (knowledge its limits) as well as AJA create. Would this be enough to start out looking at HDR as I edit?
Hey Grady, I would like to explain a little something about conversion. You point out 'Formal CLog2' and I'm assuming that you are speaking about a LUT that converts it to Rec.709. Alexis mentions that Adobe is using maker provided math for their transforms but which is only concerning the formula to return through the log condition to XYZ linear state which manufacturer's offer so we will transform to other areas from there.
I'm sure what's the differnce I train Sophisticated Visible math workflows in Resolve and am extremely expert in and "fluent" in everything chroma.
Thanks for that reaction, Alexis! To adobe premiere pro answer your problem I used to be only utilizing the Canon provided completely transform lut which I downloaded above a yr back from your Canon Web site.
Almost like there is not any (preferrential) rendering in the graphic. Is this desireable/by layout? The immediate AWG3/LogC3 to Rec.709 conversion also appears more just like a rendered image than that of likely to ACEScct initial.
one. I unquestionably failed to phrase myself very well - and didn't indicate data will probably be dropped from any file
It's actually the alternative. Initially of ACES, Canon presented separate IDTs for various cameras but Just about all of them had been the exact same rework. They up to date their provided IDT to become just a single just one for every log variant just like all other camera vendors do. Solve hasn't executed this modification and It really is actually a bad thing.
If you choose you should override these legacy options and use the new colour administration, you are able to override the tailor made settings the sequence was setup with and pick a distinct shade administration preset (and you will use Undo if you find this was a oversight).
So I discover the same file on A further folder in my exterior drive where by I've produced a Packaged Variation of my task.
From a few quick conversations relating to this, acquiring linear and EXR compatibility is a extremely required solution.
And just to examine ... which AJA piece are you currently using? Are you able to develop a display screen-get of the options for that and use the picture icon to upload it for your reply?